![]() IL used to make you do that with old legit releases. Plugin window fully resizable (click+drag bottom right icon).Nah, that's normal. “Tool Tips” gives you help texts explaining each plugin parameter during mouse hover-over. “Reset” resets the plugin’s state to your default preset. “Save As Default” lets you save your own default preset that will appear when the plugin initializes or you hit the reset button. “Eco Mode” lets you run Crystalline in a low-CPU mode by setting the resolution to “Basic” and disabling the shimmer effect. “Color” lets you change between light and dark background colors. Clicking the “Wet Lock” button lets you browse presets while keeping your preferred wet/dry balance - for easier comparison. “Dry/Wet” sets the global mix balance between the dry/incoming signal and the reverb signal. It can be a powerful effect for creating interesting transitions in a mix. “Freeze” is another creative effect that takes a granular snapshot of the reverb when clicked and holds this snapshot continuously until the button is un-clicked again. ”Reverse” reverses the reverb playback, giving you some radical sound design possibilities. “Ducker Gentle” mode offers a slow and natural ducker setting, while the standard ducker mode has a more ‘pumpy’ feel. This gives you a cleaner mix, where you can turn up the reverb more without compromising the dry track. “Ducker” lowers the reverb signal when the dry/incoming track is playing. This feature is mostly useful on percussive material where it lets you shift the emphasis toward the attack or sustain part of a signal. “Warp” helps you shape the reverb’s dynamic profile by warping the transient response. This allows you to add a little more reverb without drenching your mix. It mellows out harshness and gives Crystalline a more subtle feel. “Smoothing” gradually applies an EQ-curve custom-designed to address the frequency areas that tend to get resonant and sharp. “Tone” is a tilt EQ that lets you quickly shift the frequency balance of the reverb to brighter or darker. The gate offers ‘threshold’ and ‘release’ controls and makes it fast and intuitive to make your snares go “Phil Collins”. “Gate” lets you instantly recreate the classic 1980s gated reverb sound. This is especially helpful for creating wide vocal or lead instrument reflections without muddying-up your low end. “Sides” is a high-pass filter that removes stereo information from the low end of the reverb, while keeping the mono-information intact. This control offers a fast way to get rid of clutter and muddiness in your mixes. “Damping” is a dual filter control that lets you remove high and low frequency content from the reverb reflections. Please note that if Shimmer is active, the high frequencies will decay later than your specified reverb “End Time” (either at 2x, 4x or 6x the length). You can set the frequency cutoff point as well as the multiplier effect, which controls how much longer it takes for the higher frequencies to decay. “Shimmer” makes the high frequencies of the reverb tail decay slower than the rest of the spectrum, giving the reflections an ‘angelic halo’ effect. This results in a richer sound that works especially well to fatten up synths, guitars and vocals. ”Modulation” creates pitch variations inside the reverb algorithm. ![]() ![]() More complex settings will give you an ultra-clean reverb response, free of metallic artifacts – while the ‘Basic’ setting will give you an efficient CPU performance at a normal fidelity. “Resolution” sets the complexity of the algorithm from ‘basic’ to ‘pristine’. ”Width” lets you set the stereo image of the reverb from mono to wide – and even further to extra wide. This generates reflections that are naturally brighter, which will help you achieve that extra shine on vocals or snares. “Sparkle” emphasizes high frequencies inside the reverb algorithm. This control is detached from the “Length” control, meaning you can get any size/length combination you want, including esoteric settings like huge spaces with very short tails or tiny spaces with very long tails. ”Size” lets you set the room size from tiny to large. Prefer the classic way? Just hit the “Sync/MS” switch and Crystalline lets you set pre-delay and decay times in milliseconds instead. This will generally result in cleaner mixes where the envelope of the reflections is naturally in sync with the music. Crystalline lets you sync the reverb attack and decay time to your DAW’s tempo.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |